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From the original Rolling Stones Album "Voodoo Lounge" (11 July 1994)
Released in July 1994, Voodoo Lounge received strong reviews and debuted at #1 in the UK (their first chart-topper there since 1980's Emotional Rescue) and #2 in the US where it went double platinum. Many observers noted that - while the album was again considered to be calculated as a classicist piece to recall earlier triumphs - it was a much more sparse recording, contrasting with the slick sound of Steel Wheels.
Producer Don Was, noted for his retro rock production sensibilities, was reportedly responsible for pushing the band towards more conventional territory in an attempt to reproduce the archetypal "Rolling Stones" sound, and moving them away from the rockabilly and African grooves they had reportedly been leaning on during the writing and early recording phases of Voodoo Lounge. The result was an essentially classicist recording that drew on the blues, R&B, and country that had informed the Stones classic late 1960s/early 1970s recordings. Although this approach pleased critics and the Stones rock-oriented fanbase, Jagger in particular expressed some dissatisfaction with Was' aesthetic, and would insist on a more diverse, contemporary production cast for the subsequent Bridges to Babylon. Nevertheless, Was (who has produced several Grammy-winning records) remains the Stones producer to this day.
In early 1995, while the Voodoo Lounge Tour was still in full force (not finishing until August that year) Voodoo Lounge won the Grammy Award for Best Rock Album. Although it is not considered to be a truly outstanding piece of work on a par with Let It Bleed or Some Girls, many observers consider Voodoo Lounge to be more of a comeback than Steel Wheels was touted to be. [From Wikipedia]
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